Casino Royale ist der von EON produzierte “offizielle“ Bond-Film aus dem Jahr und basiert. Cast (94) · Daniel Craig · Eva Green · Mads Mikkelsen · Judi Dench · Jeffrey Wright · Giancarlo Giannini · Caterina Murino · Simon Abkarian. November Weltpremiere in London und startete neun Tage später in den deutschen Kinos. Er wird vielfach zu den besten Filmen sowie der gesamten.
Casino RoyaleIn James Bond – Casino Royale gibt Daniel Craig unter Regisseur Martin Campbell sein Debüt und erzählt, wie der schärfste Geheimagent aller. James Bond Casino Royale (). Casino Royale. Britischer Thriller von Martin Campbell mit Daniel Craig und Eva search4travelwebsites.com-Film-Bewertung. Nachdem sich James Bond durch zwei Auftragsmorde seinen Status des Doppelnull-Agenten verdient hat, setzt ihn der Military Intelligence Service auf LeChiffre an, einen besessenen und genialen Pokerspieler, der in Montenegro im `Casino Royale' Geld.
Casino Royale 2006 Česko-Slovenská filmová databáze VideoThe Name's Bond - Casino Royale
It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.
Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.
Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.
Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.
It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.
Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.
Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.
Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.
The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.
Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.
Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.
Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.
Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.
Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.
Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.
It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.
Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.
Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting. It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.
Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.
The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.
Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.
Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.
He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.
Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.
Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.
What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.
Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.
The relationship between Craig's Bond and Vesper is very much a modern-day version of the relationship between George Lazenby's Bond and Tracey in On Her Majesty's Secret Service.
It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.
Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.
Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.
The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: it hurts. Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.
The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.
The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.
For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.
All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.
He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.
He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.
Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.
Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.
Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. Daniel M Super Reviewer.
Jun 20, Croatian General Valentine Nonyela Nambutu Embassy Official Dusan Pelech Bartender Phil Meheux Tennis Girls Veronika Hladikova Hotel Splendide Clerk Olutunji Ebun-Cole Waitress Miroslav Simunek Disapproving Man Ivan G'Vera Hotel Splendide Limo Driver Jaroslav Jankovsky Hermitage Waiter Rest of cast listed alphabetically: Alexander Hathaway British Ambassador Lasco Atkins Airport Staff uncredited Greg Bennett Airport Driver , Miami uncredited Richard Branson Man at Airport Security uncredited Pete Britten MI6 Technician uncredited Adam Nicholas Brown Main Valet At Ocean Club uncredited Martin Campbell Airport Worker uncredited Tara Cardinal Young Woman in Casino uncredited Anthony Chisholm Ugandan Rebel uncredited Mahmud Chowdhury Restaurant staff uncredited Ben Cooke MI6 Agent uncredited Julie Eagleton Cricket Match Attendee uncredited Nina Aimer Fox Eva Green Stand -in uncredited Jan Loukota Gallardo's Bodyguard uncredited Arnold Montey MI6 Agent uncredited Mark O'Neal Man in Museum uncredited Raj Parmar Extra uncredited Nigel Pilkington Croupier uncredited Simona Roman Dossier Girl uncredited Sol E.
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Indonesia Hardsub - All Quality - Casino Royale Casino Royale Bond, Le Chiffre ja joukko muita varakkaita korttipelaajia kilpailevat toisiaan vastaan.
Väliajalla Le Chiffre kohtaa hotellihuoneessaan Obannon, joka kertoo tietävänsä rahojensa menetyksestä ja uhkaa rankaisevansa Le Chiffreä, mutta pankkiiri onnistuu vakuuttamaan Obannon siitä, että hän voittaa turnauksen ja maksaa velkansa takaisin.
Obannon poistuessa hotellihuoneesta Bond ja Lynd varjostavat häntä, mutta heidän paljastuttua porraskäytävässä tapahtuva lyhyt taistelu päättyy Obannon kuolemaan.
Väliajan päätyttyä Bond palaa muiden pelaajien tavoin jatkamaan peliä, mutta varmistaakseen voittonsa Le Chiffre myrkyttää hänet. Bond selviytyy myrkytyksestä autonsa varustukseen kuuluvan lääkkeen ansiosta.
Pokeriturnauksen jaossa Bond tippuu pelistä, mutta CIA -agentti Felix Leiterin Jeffrey Wright ostaessa Bondin takaisin turnaukseen hän voittaa pelin.
Le Chiffre kidnappaa Lyndin, jolloin Bond aloittama takaa-ajo päättyy auto-onnettomuuteen hänen väistäessään tielle makaamaan jätettyä Lyndia.
Le Chiffre vie Bondin ja Lyndin varastorakennukseen, missä hän ruoskii Bondia ja käskee tätä kertomaan rahoja suojaavan pankkitilin salasanan.
Vaitiolon takia Le Chiffre aikoo kastroida Bondin, mutta samalla hetkellä paikalle saapuu kansainvälisten terroristien edustaja, herra White Jesper Christensen.
Le Chiffre lupaa hankkivansa rahat, mutta White tappaa hänet pistoolilla. Bond menettää tajuntansa. Bondin herätessä sairaalassa Italian Como-järvellä , hänelle kerrotaan, että joku tappoi Le Chiffren kätyreineen, ja että ainoastaan Bondin ja Lyndin sallittiin säilyä hengissä.
Bond tunnustaa rakkautensa Lyndiä kohtaan ja lähettää M:lle sähköpostilla ilmoituksen, jossa hän on päättänyt lopettaa työnsä MI6:ssa.
Bond ja Lynd lähtevät romanttisille lomalle Venetsiaan , missä Bondille selviää, että Casino Royalelta voitettuja rahoja ei olekaan siirretty valtiovarainministeriön pankkitilille.
Lynd katoaa salaperäisesti, mutta Bond jäljittää hänen syrjäiseen rakennukseen, jossa Lynd luovuttaa Casino Royalelta voitetut rahat sisältävän salkun Gettler-nimisen miehen Richard Sammel johtamille terroristeille.
Bond yrittää estää terroristeja, mutta joutuu tulitaisteluun, jonka aikana hän ampuu rakennusta veden pinnalla kannattelevat kellukkeet.
Bond onnistuu tappamaan kaikki terroristit, mutta epätoivoiselta vaikuttava Lynd pyytää Bondilta antamaan hänelle anteeksi ja lukitsee itsensä hissikoppiin, joka uppoaa veteen rakennuksen vajotessa kanaaliin.
Bond tuo naisen veden pinnalle, mutta Lynd on jo ehtinyt hukkua. Bond katkeroituu ja tuntee itsensä petetyksi, koska hänen rakastamansa nainen on tehnyt itsemurhan.
M ottaa Bondiin yhteyttä ja kertoo, että Lyndiä oli kiristetty: hänen poikaystävänsä on vangittu ja uhattu tappaa, ellei hän tee kuten on käsketty.
M toteaa myös, että uusien tiedustelutietojen perusteella Lynd olisi vaihtanut rahat siihen, että kansainväliset terroristit säästäisivät Bondin hengen.
Bond löytää Lyndille kuuluneen matkapuhelimen, jossa ovat Whiten nimi ja osoitetiedot hänen löytämisekseen. White saapuu huvilaansa mukanaan Casino Royalesta voitetut rahat.
Vastatessaan odottamattoman puhelinsoittoon hän joutuu ammutuksi jalkaan. James Bond. Kun EON Productions luvun alussa neuvotteli Ian Flemingin kanssa Bond-kirjojen tekijänoikeuksista, studio sai luvan käyttää elokuvissaan kaikkien Flemingin romaanien nimiä, poikkeuksena Casino Royale.
Principal photography for Casino Royale commenced on 3 January and concluded on 20 July The film was primarily shot at Barrandov Studios in Prague, with additional location shooting in the Bahamas, Italy and the United Kingdom.
The shoot concluded at Pinewood Studios. Wilson had stated Casino Royale would either be filmed or take place in Prague and South Africa.
However, Eon Productions encountered problems in securing film locations in South Africa. In addition to the extensive location filming, studio work including choreography and stunt co-ordination practice was performed at the Barrandov Studios in Prague, and at Pinewood Studios, where the film used several stages, the paddock tank, and the Stage.
Further shooting in the UK was scheduled for Dunsfold Aerodrome in Surrey, the cricket pavilion at Eton College although that scene was cut from the completed movie , and the Millbrook Vehicle Proving Ground in Bedfordshire.
After Prague, the production moved to the Bahamas. Several locations around New Providence were used for filming during February and March, particularly on Paradise Island.
Footage set in Mbale , Uganda, was filmed at Black Park , a country park in Buckinghamshire , on 4 July Additional scenes took place at Albany House, an estate owned by golfers Ernie Els and Tiger Woods.
Karlovy Vary was used as the exterior of the Casino Royale,  with the Grandhotel Pupp serving as "Hotel Splendide". The main Italian location was Venice , where the majority of the film's ending is set.
The scene with Bond on a sailboat was filmed aboard a foot yacht named Spirit. She was constructed by Spirit Yachts in Suffolk, England , and had to be demasted to fit under various Venetian bridges to reach the filming location.
For this reason, SV Spirit "was the first sailing boat to go up the Grand Canal in Venice for years". Other scenes in the latter half of the film were shot in late May and early June at the Villa del Balbianello on the shores of Lake Como.
A recreation of the Body Worlds exhibit provided a setting for one scene in the film. Among the Body Worlds plastinates featured in that scene were the Poker Playing Trio which plays a key role in one scene and Rearing Horse and Rider.
The exhibition's developer and promoter, German anatomist Gunther von Hagens also has a cameo appearance in the film,  although only his trademark hat is actually visible on screen.
In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the British first edition of Casino Royale , which featured Ian Fleming's original design of a playing card bordered by eight red hearts dripping with blood.
Kleinman said, "The hearts not only represent cards but the tribulations of Bond's love story. So I took that as inspiration to use playing card graphics in different ways in the titles," like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts.
Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film's spirit and the storyline following Bond falling in love.
For the rest of the film, Chris Corbould , the special effects and miniature effects supervisor, returned to a more realistic style of film making and significantly reduced digital effects.
According to Corbould, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It's the best way to go".
The first scenes shot were ones involving a Madagascar building site, shot in the Bahamas on the site of a derelict hotel with which Michael G.
Wilson had become acquainted in during the filming of The Spy Who Loved Me. The stunt team built a model and put forward several ways in which the digger could conceivably take out the concrete, including taking out the pillar underneath.
A section of the concrete wall was removed to fit the digger and reinforced with steel. The sequence at Miami International Airport was partly shot at the Dunsfold Aerodrome , in Surrey, which is known from British car show Top Gear , with some footage from the Prague and Miami airports.
The Skyfleet S aircraft in the film was an ex- British Airways B G-BDXJ , which had its engines removed and was modified for its appearance in the film.
The modified aircraft had the outboard engines replaced by external fuel tanks, while the inboard engines were replaced by a mock-up pair of engines on each inboard pylon.
The cockpit profile was altered to make the look like a prototype of an advanced airliner. The sinking of the Venetian house at the climax of the film featured the largest rig ever built for a Bond film,  with tank consisting of a Venetian piazza and the interior of an abandoned house being constructed.
The rig, weighing some 90 tons, incorporated electronics with hydraulic valves that were closely controlled by computer because of the dynamic movement within the system on its two axes.
The same computer system also controlled the exterior model, which the effects team had built to one-third scale to film the building eventually collapsing into the Venetian canal.
The model elevator within the rig could be immersed in 19 feet 5. At the time of filming, Aston Martin was still in the final phases of designing the DBS.
Also a white prototype DB9 manual was supplied to the film crew so that the stunt drivers had something to practice with.
The soundtrack of Casino Royale , released by Sony Classical Records on 14 November , featured music composed by veteran composer David Arnold , his fourth soundtrack for the Bond film series, while Nicholas Dodd orchestrated and conducted the score.
Producers Michael G. Wilson and Barbara Broccoli announced on 26 July Chris Cornell had composed and would perform the title song, " You Know My Name ".
The classic theme only plays during the end credits to signal the climax of his character arc. Casino Royale premiered at the Odeon Leicester Square , the Odeon West End and the Empire simultaneously in London on 14 November Along with the cast and crew, numerous celebrities and 5, paying guests were also in attendance with half the proceeds benefiting the CTBF.
Only two days following the premiere, unlicensed copies appeared for sale in London. Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.
In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.
After critics dubbed Die Another Day "Buy Another Day" because of around 20 product placement deals, Eon limited their promotions for Casino Royale.
Partners included Ford , Heineken which Eva Green starred in adverts for , Smirnoff , Omega SA , Virgin Atlantic and Sony Ericsson.
Casino Royale was simultaneously released on DVD, UMD and Blu-ray Disc on 16 March The UK DVD has continued to sell well, with 1,, copies sold since 19 March.
A three-disc edition of Casino Royale on DVD was released in the United Kingdom on 31 October , coinciding with the cinema release of the sequel, Quantum of Solace the following week in the United States.
As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.
Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with fewer special features than the edition. Casino Royale was censored for its release in Britain, the United States, Germany and China.
In Britain, by omitting some of Le Chiffre's sadism and James Bond's reactions in the torture scene, the film received the desired BBFC 12A rating.
The German edit of the film cuts a sequence where the bomb-planter at the airport breaks a man's neck, instead replacing it with an alternative take.
The fully uncensored version can be found on the Australian, Dutch, French, Hong Kong, Japanese, and Scandinavian Blu-ray and DVD releases, on UK Blu-ray releases from onwards rated 15 , and on the 4K UHD Blu-ray release branded as an unrated "extended" cut.
Casino Royale was the 4th highest-grossing film of , and was the highest-grossing installment of the James Bond series until Skyfall surpassed it in November The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: a caustic, haunted, intense reinvention of Craig's performance and credibility were particularly praised.
During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave.
The Times compared Craig's portrayal of the character to that of Timothy Dalton , and praised the action as "edgy",  with another reviewer citing in particular the action sequence involving the cranes in Madagascar.
The film was similarly well received in North America. MSNBC gave the movie a perfect 5 star rating. Roger Ebert gave the film a four out of four star rating, and wrote that "Craig makes a superb Bond This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.
Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film.
A moment where he rises from the sea is reminiscent of Ursula Andress in Dr. No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].
Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.
Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.
It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster. The script showed him as a vulnerable, troubled, and flawed character.
Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.The plot has Bond on an assignment to bankrupt terrorist financier Le Chiffre in a high-stakes poker game at the Casino Royale in Montenegro ; Bond falls in love with Ept 2021 Lynda treasury Wichteln Motto assigned to provide the money he needs for the game. List Production Portrayal. Written by simon.